Historical Dictionary Of Neoclassical Art And Architecture Pdf
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- ALLISON LEE PALMER HISTORICAL DICTIONARY OF HISTORICAL DICTIONARY OF
- Historical Dictionary Of Romantic Art And Architecture By Allison Lee Palmer
Neoclassicism - Oxford Reference. Art and Architecture - Oxford Reference.
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Structures include not only major achievements such as the Alhambra, but also diverse architectural inventions including the arch and the skyscraper. Materials discussed range from concrete to stone, and glass to wood. Noted architects include theorists from the Ancient Roman engineer Vitruvius to many current architects like Zaha Hadid and Santiago Calatrava. Nevertheless, this volume is neither a history of architecture nor a comprehensive cataloging of movements, architects, and their creations.
Like other encyclopedias, the organization here is alphabetical. However, unlike encyclopedias that aim to include more comprehensive but less detailed information, I have tried to provide more substantial commentary in fewer entries.
I have especially aimed to make the historical entries capable of standing alone and, if taken all together, of providing a sufficient history of architecture for the general reader. I realize that my method overlooks a number of extremely gifted artists and outstanding structures. In lieu of comprehensiveness, however, I trust that the contexts provided in this book will enable the reader not only to identify and examine those aspects of architecture that lie outside this volume but also to find a richer appreciation of the basic human urge to build both functional and beautiful structures.
From its earliest developments, architecture changed over time and in different cultures in response to changing cultural needs, aesthetic interests, materials, and techniques. The historical study of these structures, however, is a quite modern concept and results from a more reflective age. The earliest Paleolithic constructions were simple dwellings that could offer shelter from the elements of nature and from animals, and these structures soon came to define the family or community unit, its belief system, and its unique cultural characteristics.
These structures were for domestic purposes and consisted of a type of circular hut centered on a fire pit and covered with branches or animal hides. While the Upper Paleolithic era, which dates from 40, BC to around BC, has not been fully studied, excavations reveal relatively complex architectural structures from that early time. Interior spaces were divided into different functions sectioned off by multiple fire pits, and aesthetic intentions included decoratively carved bones for support and floors that were colored.
Thus architecture, in its very origins, can be understood as both a functional and creative pursuit. Given the fact that glaciers covered much of Europe during this time, this cold region was populated by mammoths, reindeer, bison, wild goats, and bears, the bones and hides of which, together with wood, stone, and other materials found in nature, came to be used as building materials by these Cro-Magnon humans. Small-scale carved figures of humans and animals, as well as the famous cave paintings of southern France and northern Spain, are testament to the broad-based aesthetic culture that developed at this time.
In the Aegean world, modern excavations carried out by Heinrich Schliemann and Arthur Evans brought to life via tangible architectural discoveries the legendary stories of Agamemnon, Achilles, and Theseus, as well as ancient cities such as Troy, Mycenae, Tiryns, and Knossos. Its complex plan, with multiple stories, courtyards, and underground storage areas, all within a very large square footage, is certainly consistent in its complexity with the labyrinth-like design created by the mythical architect Daedalus to prevent the escape of the minotaur kept by King Minos.
The Citadel at Mycenae in Greece dates to around BC and consists of a heavily fortified complex located on a hilltop, consistent with Homer's descriptions of Agamemnon's burial site.
The foot-thick stone walls of the city of Tiryns, located 10 miles away from Mycenae, certainly reveal in their defensive design the celebration of great strength, consistent with the city's most famous mythical inhabitant, Hercules. These early Helladic peoples then came together with nomadic Indo-European peoples to form one of the greatest ancient civilizations in history, that of classical Greece. Ancient Greek architects established a new standard of architectural aesthetics, one that mimicked the proportions of the human body to create highly sculptural, freestanding structures of timeless beauty.
Constructed by Iktinos and Kallikrates, this elevated rectangular temple with a continuous colonnade of Doric columns, a gabled roof now collapsed inward, and the remains of an inner shrine, reveals in its clear, simple design a form of logic and order invented by the Ancient Greeks. In this building, measured with a degree of mathematical exactitude not found in earlier structures, we find the earliest design principles that codify with precision different column orders, capital types, height and width requirements, and appropriateness of external decoration.
These principles are embedded in Greek philosophical thought and have created a timeless, universal concept of beauty that has been revived countless times through history.
Romans used architecture not only for religious inspiration, but also to cultivate an image of political power and superiority. While Ancient Roman roads connected all parts of the farflung empire and water was brought to the people via carefully engineered aqueducts, architects blended regional materials with stone to create large, uniformly designed structures that stood as monuments of Roman superiority.
The domed and the Basilica of Constantine in Rome were both overwhelming in scale, with the largest unencumbered interior spaces ever built. This overwhelming scale necessitated new technical innovations such as the dome, the barrel vault, and the cross-vault, as well as the invention of stronger materials such as concrete, made from the nearby volcanic rock. Broad avenues separated market areas from religious zones, while neighborhoods were separated by social class.
One important aspect of Roman society was an increased emphasis on leisure activities, which resulted in the development of such building types as the bathhouse and the arena. Vitruvius, a Roman architect and engineer who lived in the first century BC, wrote the earliest known treatise on architecture, called De architectura; it discusses in separate chapters both technical and aesthetic principles of ancient Roman architecture, as well as different building types.
This tremendously influential treatise was rediscovered in the early years of the Renaissance and was central to the revival of classicism in that era. Religion remained the main source of inspiration for architecture, however, and in the West this is even more evident in subsequent centuries with the establishment of both Christianity and Islam.
With the help of the far-reaching Roman Empire, Christianity quickly spread and was accepted in the early s by the Emperor Constantine. Thus, through the next several hundred years, private worship in the house church grew into public gatherings held in large basilica-plan churches built across western Europe.
Modeled on ancient Roman government buildings, these large structures became potent symbols of Christianity. The Early Christian church of St. Peter, built in Rome around AD , was the most important church because it marked the site where the Apostle Peter was buried.
By the early s its old age and disrepair necessitated a completely new structure, which was begun during the papacy of Julius II by the architect Bramante. While the western church was typically formed as a longitudinal, or basilica-plan, church, the eastern churches were more often centrally planned. The church of Hagia Sophia, built in Constantinople modern-day Istanbul by Anthemius of Tralles and Isidorus of Miletus in the s, transcends Imperial Roman buildings in scale, with a massive dome resting on pendentives that link the round dome to the square plan of the floor.
The square base then opens up into a massive unencumbered interior, while windows around the base of the dome and along the walls of the church bathe the golden mosaic interior with light. After the Ottoman conquest of , Hagia Sophia was transformed into a mosque with minarets built at the exterior corners of the structure. By that time, mosques could be found across all of Asia, Europe, and into Africa as well. Muslim rulers followed Roman principles of scale in their construction.
The Great Mosque of Samarra, Iraq, built in the mids, was the largest mosque in the world, covering ten acres, half of which consisted of an open courtyard, while the rest was covered by a wooden roof supported by closely set piers. The quibla wall faces Mecca; in its center is a niche called the mihrab, which likely symbolizes where the Prophet Mohammed would have stood in his house at Medina to lead prayers.
On the other side of the Muslim world, the Great Mosque of Cordoba, Spain, from around AD , reveals an interior that epitomizes the beauty and richness of Islamic architecture: stripped, horseshoe-shaped arches, multi-lobed arches, and gilded mosaic dome over the mihrab.
As Islam spread into Africa via extensive trade routes established across the continent, mosques began to appear in the native adobe material. Torons, or wooden beams that project out from the walls, reveal the internal wood reinforcement of the stucco-covered adobe walls. The wooden beams create a rhythmic design to the exterior wall that is otherwise punctuated with relatively few windows. Throughout the Middle Ages, architecture continued to be used to carve out identity and establish areas of authority.
Charlemagne, the Frankish ruler who sought to unify Europe under the banner of sculptural massing, with small interior rooms and few windows. Exactitude in measuring and designing the building is required in order for the structure to be worthy for use as a divine residence.
Thus, important considerations include the selection of a proper site, building orientation, and construction on a symbolic plan called the mandala. Seen as a series of squares, the building is formed around a windowless inner sanctum called the garbhagriha, which symbolizes Brahman. Other square sections represent a variety of gods, with the protector gods represented along the perimeter.
While the garbhagriha houses an image of the god on its inside, its exterior is articulated with a shikhara that rises like a mast above the garbhagriha to demarcate the axis mundi. A series of smaller hallways, called mandapas, lead to the inner sanctum and are formed on the exterior as smaller, mountain-like massings.
Angkor Wat, in Cambodia, dates to the s and was originally dedicated to Vishnu. It grew from a Hindu temple into a massive Buddhist complex to symbolize in physical form the Hindu cosmology. Thus, it is designed with five central towers that symbolize Mount Meru, where the Hindu gods live. The square outer walls and moat, located outside the walls, represent the edges of the world. The overall complex is aligned to the cardinal points and thus likely refers to an astrological calendar.
Much like Gothic cathedrals, the entire exteriors of these temples are intricately carved to reveal in encyclopedic form many legends and stories of Hindu gods and legendary figures. In China, Taoism and Confucianism played a pivotal role in the early culture of this vast area in the center of Asia.
Buddhism was introduced into China from India very early, and Buddhist architecture is characterized there by the pagoda, a temple format that grew out of the Indian stupa design. The Great Wild Goose Pagoda at Ci'en Temple in the Shanxi Province, which dates to around AD , is a multistory masonry building modeled on the early Han watchtowers, but with projecting tile roofs at each of the seven levels and with the entire structure topped by a finial to demarcate the axis mundi.
The simple, graceful proportions of these buildings carried over into the intricately bracketed wooden pagodas of Japan. It was later transformed into a temple, but its palace structure, modeled on the movement of a phoenix, remained.
The roof tips upward in a graceful curve, while the side wings of the palace are elevated on slender columns to suggest weightlessness. Open porticoes connect the interior to the exterior, where a pond shimmers in front of the beautiful redpainted wooden building. The intricate roof bracketing of Japanese architecture, as well as its graceful, natural simplicity, has attracted many architects through time; it is seen most notably in the 20th century in the domestic structures of American architects such as Frank Lloyd Wright.
These developments in Asia correspond in time to the European medieval period, when far-reaching trade routes were established, resulting in an awareness of and material influences on architectural developments among various cultures. These trade routes were expanded in the s to nearly the whole world, and in Europe this period of discovery was called the Renaissance.
During the Renaissance a profound cultural shift occurred, which resulted in a self-conscious study of architecture whereby the philosophical and theoretical discipline of architectural history began to take shape. While stylistic referencing was not new in the Renaissance, this sustained reverence for classical antiquity was directly pertinent to many Renaissance cultural goals and created a lasting frame of reference to which all subsequent architectural styles responded.
The canon of architecture formed along this stylistic duality of "classical" and "non-classical" buildings continued into the next centuries. Brunelleschi's dome, built for the Cathedral of Florence in the s, is considered the first true Renaissance structure due to its technical advances mingled with classical sources.
Through the next century, monumental classicizing buildings were constructed using the architectural principles laid out by Vitruvius in the first century BC. Bramante's Tempietto, built in Rome in , is considered the best example of Vitruvian ideals, but Palladio's buildings in northern Italy became the most popular in subsequent centuries.
His Villa Rotonda, built on a hill outside Vicenza in the s, signified a specific interest in the classi-cal villa type, now built for the new class of country "gentlemen" farmers in the Veneto. The villa is designed as a perfectly symmetrical, centrally planned Roman temple. With a six-columned portico on each of the sides of the square building, elevated aboveground by a basement level, the visitor is provided a grand entry into the building from each of its four doors.
The entire structure is capped by a dome over its center, thus recalling the ancient use of the domus on an imperial home rather than the more common subsequent use of the dome on a church.
Historical dictionary of neoclassical art and architecture /
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Historical Dictionary of Neoclassical Art and Architecture PDF. Download PDF. Neoclassicism refers to the revival of classical art and architecture beginning in.
ALLISON LEE PALMER HISTORICAL DICTIONARY OF HISTORICAL DICTIONARY OF
Buy now. Delivery included to Germany. Allison Lee Palmer eBook 11 Feb Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the s and lasting until around , with late Neoclassicism lingering through the s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism.
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Historical Dictionary Of Romantic Art And Architecture By Allison Lee Palmer
Functionalism architecture Britannica. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. FREE shipping on qualifying offers. Historical Dictionaries of Literature and the Arts - : Historical Dictionary of Neoclassical Art and Architecture Allison Lee Palmer Auteur Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the s and lasting until around , with late Neoclassicism lingering through the s. The revival of a classical style or treatment in art, literature, architecture, or music. As an aesthetic and artistic style this originated in Rome in the mid 18th century, combining a reaction against the late baroque and rococo with a new interest in antiquity.
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Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the s until around , with late neoclassicism lingering through the s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new ';enlightened' thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography.
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